![]() ![]() "Gotta Kick It Up" will be broadcast at 8 PM on July 26. At a Southern California middle school with a largely Latin-American student population, Yolanda (America Ferrera) and Daisy (Camille Guaty) convince new biology teacher Ms. ![]() GOTTA KICK IT UP MOVIEDuring her time at the school, Egan will be responsible for overseeing the expansion of the arts instructional program, assisting in bringing professional artists to teach and direct, and bringing in renowned artists for special appearances. Gotta Kick It Up - Crew / Cast: Director: Ramn Menndez, with: Camille Guaty (Daisy Salinas), America Ferrera (Yolanda Vargas), Susan Egan (Heather. Gotta Kick It Up Photos View All Photos (13) Movie Info At a Southern California middle school with a largely Latin-American student population, Yolanda (America Ferrera) and Daisy (Camille Guaty). She will take over the position recently vacated by David Green while the school conducts a search for a permanent director. You can buy or rent Gotta Kick It Up for as low as 3.99 to rent or 5.99 to buy on Amazon Prime Video and Google Play. Egan, who is an alumna of the 15-year-old school, will serve as the artistic director of the Music and Theatre, Film and Television and Production and Design departments. Gotta Kick It Up is currently available to stream with a subscription on Disney+ for 7.99 / month. It was also recently announced that the performer has been named Interim Artistic Director of California's Orange County High School of the Arts. Susan Egan received Tony and Drama Desk Award nominations for her work in Beauty and the Beast, and her other theatre credits include Cabaret, Triumph of Love, Putting It Together and Hello Again. Meghan Cole wrote the script, which was directed by Ramón Menéndez. News Susan Egan Stars in Disney Flick, Gotta Kick It Up, July 26 Singer-actress Susan Egan, who is currently starring in the Sacramento Music Circus. Others in the cast of the made-for-TV Disney film include Camille Guaty, America Ferrera, Miguel Sandoval, Jhoanna Flores, Suilma Rodriguez and Sabrina Wiener. He is a longtime television and film actor. GOTTA KICK IT UP FULLEgan's character helps motivate a group of Latina schoolgirls to become a championship dance team. A teacher inspires a group of Latina schoolgirls to reach for their full potential and become a championship dance team. Miguel Sandoval played Principal Zavala in Gotta Kick It Up - and it was by no means his first role or his last. Singer-actress Susan Egan, who is currently starring in the Sacramento Music Circus production of The Unsinkable Molly Brown through July 28, can also been on The Disney Channel on July 26.Įgan stars in the original movie "Gotta Kick It Up," in which she plays Heather Bartlett, a former dot.com executive turned schoolteacher. ![]()
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![]() The Netflix documentary did not look in depth at any cardiovascular devices, but cardiologists have nevertheless taken to Twitter for an informal film review. This imbalance, as well as the tragic stories shared by patients affected by faulty devices, inform the film’s central message: federal regulation of medical devices in the United States is in dire need of an update. ![]() According to the FDA, between January and July of 2018, 1,787 devices have been approved under the 510(k) pathway and only 20 have been approved through a PMA. #Bleeding edge documentary fullI think every physician should see it.Ī full 98% of medical devices today are regulated under the 510(k) pathway. I saw it 2 nights ago and was greatly affected by it. The Bleeding Edge was released on July 27, 2018. ![]() Would you reconsider a hip replacement or any other implant after seeing The Bleeding Edge? Tell us in the comments below! Most importantly, it wraps up with important tips on how the viewer can become an effective advocate for his/herself in any health-related situation. In addition, it would be helpful to understand who funded the device research, whether it’s the government, medical institution or manufacturer. This said, the film captures in the one’s attention in understanding what one needs to consider before agreeing to a procedure or device implant. The film does create a heightened sense of fear which may not be warranted, without all the facts. A Bleeding Edge: What is There to Fear?Ī viewer may walk away from the film afraid of any procedure, including a CT scan (which is reported in The Bleeding Edge as causing 50,000 cases of cancer a year). These personal vignettes are powerful in showing the cost that the patients have had to pay for their trust in the FDA and device manufacturer oversight process, which have been non-existent for these two reported devices. Most people believe that medical devices go through rigorous testing and through it, are proven to be safe and effective. In these two cases, it is clear that the patients feel powerless in taking back their health and the device off the market. In particular, the film follows three devices, with two devices tied to women’s health that are not being addressed by the FDA and manufacturer involved, even as the number of injuries increase. Interestingly, the testing and regulation is less stringent than for drugs which means that devices may be more risky. The viewer sees that FDA does not always remove the problematic devices that are on the market. This said, the film does deliver a comprehensive overview of how the FDA works and regulatory problems (tied to medical devices), especially through the experiences of former FDA employees, researchers and medical professionals. The Food and Drug Administration still provides important guidance to doctors, in harmful situations where devices have injure patients. At the same time, the film may be stretching how ineffective the FDA is, in general. ![]() The graphics that the film employs to illustrate the FDA processes enable the audience to easily understand all the problems, starting from the approval of the product to filing of patient complaints against it. How The Bleeding Edge elaborates on FDA’s evaluation and decision-making processes as being influenced by the medical device industry makes this a jaw-dropping documentary narrative. It is the FDA (Food and Drug Administration), the most important protective agency that regulates everything that comes in contact with the body. In particular, who is (or is not) advocating on the patients’ behalf especially, those who have been injured by the application or insertion of a medical device. Then the film unfolds with what this means for the patients or the American public. It is even bigger and more powerful than the pharmaceutical industry. The film keeps you engaged with such astounding statistics, including how the medical device industry is a $300 billion a year sector. ![]() The World of Medical DevicesĪccording to the film, over the past ten years, nearly 70 million Americans have been implanted with medical device(s). What if the procedure or device is flawed to start with and the doctors are educated by the sales representatives rather than practitioners? The Bleeding Edge explores what happens when the medical device industry is poorly regulated and at the same time, technology is speeding up the number of unproven devices that are implanted or used on patients. We tend to trust our doctor’s expertise when he/she recommends a procedure, device or drug. ![]() ![]() His eclectic installations, live performances, award-winning sound design and videos have been exhibited, screened, and performed internationally including TiMaDi, London, England Post-Screen Festival, Lisbon, Portugal Festival ECUA-UIO, Quito, Ecuador Future Places Festival, Porto, Portugal Transmediale, Berlin, Germany, and the International Symposium on Electronic Art. An early adopter of vj tools for live performance graphics, she continues to explore the synergistic and improvisational work-flow these tools provide to video and animation artists.ĭavid Fodel is an artist, educator, curator and writer whose recent work concerns itself with reading and writing traces of systems and processes, technological and otherwise, that are overlooked, invisible, and mute in an attempt to animate and actualize those potential languages. Honored by Adobe as a Master Teacher for her contributions to digital education, she has taught motion graphics and 3D design and animation at Bay Area colleges. By using them, with no naturalistic but absolutely modern strokes, the author manages to reach a perfect communion with the natural world". In awarding a prize to Kopmar's film "Night Fishing with Cormorants", the judges of Prix Simona Gesmundo Animation Festival described it as "A beautiful and fascinating work containing inspirations coming from a distant literary and pictorial past. Her award-winning abstract animations have shown in film festivals around the world where they were recognized for their unique combination of expressive graphics and arresting sound. It is intended to promote discussion/inquiry into the values and larger social implications of virtual reality as a whole.īetsy Kopmar is a painter, photographer, and director of experimental animations who lives and works in Berkeley, California. A surprising structural connection between these images and a type of 'spiritual transcendence' is revealed. Elementos visuales y sonoros series#It is part of an ongoing series of video pieces, each featuring progressively more abstract imagery of people ecstatically donning VR headsets while engaging in a wide range of activities from fishing to surgery. At the same time, the chapter emphasizes the continued importance of conventional film criticism to our methodology as film scholars, since critique can allow the necessary distance to consider, rigorously, the object of study in all its dimensions and depth.“ VR 01 - Selection From” is a four minute excerpt from the video installation work 'VR 01' by Morgan Beringer Studio, 2020. ![]() Instead of simply writing about and interpreting films in conventional ways, many scholars have become aware both of the power and pleasure involved in approaching films from curatorial perspectives that allow for a more personal, embodied, and emotional response to films. In the contemporary moment, the chapter argues, these acts of bricolage have contributed to a “curatorial turn” in film scholarship more broadly. The chapter then traces acts of bricolage through the history of African film scholarship, emphasizing in particular acts of bricolage by female thinkers and filmmakers who have too frequently been erased from accounts of African film history. ![]() Through revisiting the early writings of African filmmaker/scholar Paulin Soumanou Vieyra, it starts with the concept of bricolage – a concept which embraces the epistemic potential of undisciplining boundaries between theory and immersion in the “object” of one's theorizing – festivals, in Vieyra's case. African filmmaking to emerge, through the incorporation of new methodologies that draw together the overlapping activities of theory and practice. In a decolonizing spirit that respects heterogeneity, this chapter aims to reveal the potential for alternative and more complex histories and herstories of. Within African film studies, it has become commonplace to draw a distinction between the radical political agenda of the first African filmmakers, in the 1960s, and the more diffuse, less ideological interests of more contemporary filmmakers. ![]() ![]() ![]()
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